I have new work that I am excited to share with you. New work however, means writing an image specific Artist Statement. It is challenging to concisely describe, in an engaging way, the why and how of one’s creative process. With help from several of my peers, I refined and edited my statement and considered the job well done. However, today, I realized that two other important influences in the making of these images had not been mentioned in the statement. So, here goes!
First, I want to acknowledge the role of my new Nikon D500. I am not a “gearhead.” I am not one of those photographers who is into every technical detail, who reads every review and has bags full of gear I want to own, but wouldn’t use. Six years ago I purchased a basic 12 megapixel DSLR and it has taken me further than I could have imagined. But I was getting frustrated with not being able to quite capture what I seeing. I starting losing interest and wondered if it was because I was “done” with this project. It didn’t occur to me that I had outgrown my camera. When I heard someone describe the D500 as the perfect camera for sports and wildlife photographers I realized that they were describing exactly what I needed! There is nothing wild or athletic about my botanical still life tableaux dancing in moving water, but they are fast moving compositions in rapidly changing light conditions. With its fast focus system and high ISO, the D500 allows me to capture a new level of fleeting abstract images … images that I could not see or imagine when I began this journey.
The other game changer was studying with Harold Ross. From the minute I saw his work in Lenswork magazine I knew that Ross was someone I wanted to learn from. He creates stunning still life images that look like old world paintings. I was intrigued not only by the illustration-like and “Dutch Master” quality of his images, but also the minimal amount of studio equipment involved. Ross, who developed his technique during his career in commercial photography, is a gifted teacher. I learned more about lighting in one workshop with him than I could have imagined.
Creative inspiration comes in many forms. Finding the right tools and teachers are an important part of the journey.
Dates and details of upcoming shows can be found here.